A selection of our high-quality FineArt papers and media.
You have the choice!
Choosing the right paper is a crucial step for the quality of your FineArt print.
A fundamental question is whether a matt or glossy print is preferred. Of course, the type of motif or the subsequent circumstances where the image will be displayed also play a major role.
Glossy papers are characterized by maximum colour saturation and outstanding reproduction of black and grey tones.
They are particularly suitable for black and white motifs or motifs with strong contrasts. However, really good papers have also been added in the matt range in recent years. The Baryta Photographique II Matt 310 g/m² from Canson should be mentioned here.Matt papers, on the other hand, emphasize motifs with their softer surface and are ideal for prints where the details should be emphasized by the subtle texture of the paper.
The decision between gloss and matt should also be made with reflections in mind. High-gloss surfaces tend to reflect light, including, of course, opposite windows or other normal lighting (gallery lighting correctly installed and aligned excepted). Matte papers absorb the light and therefore appear somewhat less “strong”.
Our papers vary not only in their surface texture, but also in their shade of white – from “bright white” to “white” to “natural white”. However, it should be noted that whiter papers may contain optical brighteners, which lose their stability over time and cause the image to lose its luminosity.
The choice of paper surface texture, which ranges from smooth to highly textured, not only influences the visual effect, but also the feel of the end product. Texture is only found on matt papers, although there are of course some smoother ones available.</pIt is advisable to carefully consider all these factors when selecting paper in order to achieve the perfect FineArt print.
Our personal experience: Portraits, B&W images, architecture work well on glossy or semi-glossy papers. Nature motifs, reproductions of paintings, graphics have a great effect on matt papers.
Feel free to browse through our selection of papers below. Please note, however, that this is only a small selection of our papers.
We will be happy to advise you.
Notes on papers
Matt papers are extremely sensitive to scratches and fingerprints. A white edge is recommended for better handling of these papers. Cutting to picture size can lead to damage (e.g. chipped colors on the cut edges). Gloves should always be worn. Glossy papers are somewhat less sensitive, but should be handled with the same care.
In the case of large dark areas on matt papers, damage is possible simply due to rolling and movement during transportation. Such prints should be pick up at our location.
Your pictures are usually printed on rolls larger than 30 cm x 45 cm, so slight curling of the prints is normal and not a defect. We unroll the pictures for flat shipping. However, this is not possible with all types of paper, as “counter-rolling” can also cause damage. For example, Torchon paper or William Turner paper must not be counter-rolled. In this case, we recommend storing the paper flat, with weights if necessary, before framing. Fluctuations in humidity, temperature, etc. can cause warping or curling to reoccur.
Most of the papers offered here are natural papers, made from fibers of natural products such as cotton, hemp and others. During the production of the paper, the fibers are separated from other components. Unfortunately, it is not always possible to remove them completely, which means that they can remain in the paper as inclusions. These inclusions vary in size and color, depending on the natural products used in the paper. This can occur occasionally. Often these inclusions only become visible after the printing process (printing from a roll) or on closer inspection. This is typical for natural products and cannot be avoided. The presence of such inclusions on a FineArt print does not constitute a defect. Requested reprints will be invoiced again. However, we always endeavor to avoid this!
Paper selection
Professional Matte Paper 230g/m²
Perfect all-round paper. Well suited for architecture, portraits, presentations, photography, and poster printing. This is a thin paper; slight waviness may occur on large areas.
FineArt Velvet 270g/m²
Fine, soft surface texture and feel. Excellent for printing black-and-white and color photographs as well as art reproductions with great image depth.
Hahnemühle Photo Rag® 308g/m²
A very popular paper among photographers for creating high-quality fine art prints. Gently pronounced felt structure. Excellent for printing black-and-white and color photographs as well as art reproductions with great image depth.
Hahnemühle Photo Rag® Ultra Smooth 305g/m²
Proven Photo Rag® quality with a reduced texture.
Hahnemühle Photo Rag® Bright White 310g/m²
Photo Rag® Bright White is the first choice for users who prefer an exceptionally white cotton paper. High-contrast subjects are rendered with particular brilliance.
Hahnemühle William Turner 310g/m²
With its matte watercolor texture, this paper visually and tactilely resembles handmade artist paper. Excellent for reproductions of traditional artworks as well as striking photo reproductions.
Hahnemühle Torchon 285g/m²
This bright white paper has a distinctive, coarsely textured felt marking and features a unique, pleasant feel. The texture merges with the subjects and gives them impressive three-dimensionality.
Hahnemühle Museum Etching 350g/m²
The elegantly textured surface with finely pronounced felt structure adds depth and three-dimensionality to fine art prints. Natural white cotton artist paper.
Canson® Infinity Baryta Photographique II Matt 310g/m²
Extremely smooth and absolutely matte surface. With an extremely high D-Max, this paper offers exceptional contrast reproduction as well as intense colors and depth.
Canson® Infinity ARCHES® 88 310g/m²
Traditional cylinder mould manufacturing. Allows prints with excellent color reproduction, high maximum density, and neutral paper white.
Ilford GALERIE Smooth Cotton Sonora 320g/m²
Velvety surface. Heavy paper. Meets all requirements for creating art prints at the highest level.
Ilford GALERIE Prestige Textured Cotton Rag 310g/m²
Without optical brighteners and with the matte surface required for the finest art prints, this cotton paper is the perfect choice for crisp, sharp details.
Ilford GALERIE Prestige Cotton Artist Textured 310g/m²
Cotton Artist Textured is a deckle-edge paper made from 100% cotton. The coarsely textured surface creates a beautiful traditional watercolor look.
Hahnemühle Photo Rag® Duo 276g/m²
Hahnemühle Photo Rag® Duo is a double-sided coated fine art inkjet paper, ideal for creating high-quality fine art portfolios and albums.
Awagami Bamboo 250g/m²
A popular paper from Awagami. Excellent choice for artists with remarkable eco-friendly advantages over cotton-based papers.
ILFORD GALERIE Prestige Heavyweight Duo Matt 310g/m²
Heavyweight Duo Matt is a double-sided paper with a smooth, bright white surface.
Hahnemühle Natural Line Bamboo 290g/m²
Paper made from 90% bamboo fibers, representing naturalness and resource-efficient production. Free from optical brighteners with soft, slightly textured felt structure.
Hahnemühle Natural Line Hemp 290g/m²
Fine art inkjet paper with a bright white natural tone. Requires no optical brighteners due to the bright white hemp fibers. Pleasantly velvety soft feel.
Hahnemühle Natural Line Agave 290g/m²
Sisal fibers make up 70% of this special, eco-conscious fine art inkjet paper. Free from optical brighteners with wonderful depth and pleasantly soft feel.
Hahnemühle Natural Line Sugar Cane 300g/m²
Fine art inkjet paper made from sugar cane. 70% consists of bagasse, a by-product of sugar cane processing. No optical brighteners.
Hahnemühle Rice Paper 100g/m²
Paper with authentic laid lines, particularly interesting for reproductions of Asian painting techniques.
Awagami Unryu Thin 55g/m²
The texture is particularly interesting when backlit. Photos with simple composition and some negative space look stunning on this paper.
Awagami Shiramine Handmade Postcards 260g/m²
Gives your images an expressive, handmade look. Ideal for art photos and mini artworks in postcard size.
Awagami Bizan Handmade Medium White 200g/m²
Carefully handcrafted deckle-edge paper that exudes elegance and luxury. Made sheet by sheet by master papermakers.
ILFORD GALERIE Prestige Washi Torinoko 110g/m²
Finely textured surface, acid-free, no optical brighteners. Suitable for art reproductions.
Hahnemühle Photo Luster 260g/m²
Sturdy paper for photo lab quality results. Luster finish. Delivers best results for photos and posters.
Hahnemühle Photo Glossy 260g/m²
Sturdy paper for photo lab quality results. High gloss finish. Delivers best results for photos and posters.
Hahnemühle Photo Rag® Satin 310g/m²
Outstanding prints with beautiful image depth. The printed area receives a subtle sheen while unprinted areas remain matte.
Hahnemühle FineArt Pearl 285g/m²
Impresses with excellent color and detail reproduction, deep blacks, and stunning contrasts.
Hahnemühle FineArt Baryta Satin 300g/m²
Satin-gloss premium inkjet coating guarantees excellent results with intense colors, deep blacks, and superb sharpness. True alternative to traditional darkroom baryta paper.
Canson® Infinity Platine Fibre Rag 310g/m²
Enables particularly deep blacks and many gray shades. Excellent choice for both black-and-white and color images.
Canson® Infinity Baryta Prestige II 340g/m²
Inkjet photo paper that embodies the aesthetic of traditional darkroom papers. Natural white achieved without optical brighteners.
Hahnemühle Photo Rag® Metallic 340g/m²
Silver-shimmering fine art inkjet paper. Free from optical brighteners with characteristic surface texture and unique silvery finish.
Others
Transparent papers for light boxesPaper for special applications in light boxes.
Sihl Inkjet Backlit WR145 matteSingle-sided matt coated, transparent polyester film
Water-resistant prints with pigmented inks and high scratch resistance allow application without additional protection. The material is dimensionally stable and has an antistatic backing.
Additional papers
We also use paper types from:
Ilford
Primjet
Epson
Photolux
Canson
Hahnemühle
Awagami
